Sound production has been something of an obsession of mine since finishing my undergrad. I got to do some recording when I was younger and was so upset with how sterile–how uncool–the recording itself sounded. I became devoted to microphones, recording and mixing techniques, the sounds of rooms, the colors of different processors; anything to make a recording process contribute to the music itself.
I've worked as a production director with some of the worlds finest jazz musicians in one of Denver's finest clubs. I've helped burgeoning musicians develop a distinct and compelling sound. It's my goal and pleasure to help create music that is timeless.